TY - JOUR

T1 - Литературная репутация В.А. Жуковского в 1808–1815 годах

T2 - от «Вестника Европы» к «Российскому музеуму»

AU - Dolgushin, Dmitry V.

N1 - Исследование проведено при финансовой поддержке РНФ (проект № 24-18-00386 «История русской литературной критики первой половины XIX века: В.А. Жуковский в прижизненной критической рецепции») Долгушин Д.В. Литературная репутация В.А. Жуковского в 1808–1815 годах: от «Вестника Европы» к «Российскому музеуму» / Д. В. Долгушин // Вестник Новосибирского государственного университета. Серия: История, филология. - 2025. - 24(2) - С. 89-100. DOI: 10.25205/1818-7919-2025-24-2-89-100

PY - 2025

Y1 - 2025

N2 - Purpose. The article examines the problem of formation of V. A. Zhukovsky’s literary reputation in 1808–1815, based on the materials of the journals Vestnik Evropy and Rossiiskii Muzeum. Results. Having started editing Vestnik Evropy in 1808, Zhukovsky announced the idyllic self-representational model of the “petit cercle” (“small circle”) which he had previously built in his lyrics, correspondence and diaries. This model was ignored by M. T. Kachenovsky, Zhukovsky’s comrade in publishing the magazine, guided by the raznochintsy model of “writer-worker”. V. V. Izmailov (the editor of Vestnik Evropy in 1814) in 1815 created a magazine called Russian Museum, where V. A. Zhukovsky’s autorepresentative model was adapted to the Karamzin context and transformed. The “small circle” of souls turned into a circle of selected talents, and the hostile force of fate – into the envy of their literary opponents. The most fruitful for the Karamzinist reception was Zhukovsky’s role of “Russian Tyrtaeus”. Conclusion. Thus, the ensemble unity of the journals Vestnik Evropy and Rossiiski Muzeum may be considered as a space where Zhukovsky’s literary reputation was formed in a complex interaction of interpretations.

AB - Purpose. The article examines the problem of formation of V. A. Zhukovsky’s literary reputation in 1808–1815, based on the materials of the journals Vestnik Evropy and Rossiiskii Muzeum. Results. Having started editing Vestnik Evropy in 1808, Zhukovsky announced the idyllic self-representational model of the “petit cercle” (“small circle”) which he had previously built in his lyrics, correspondence and diaries. This model was ignored by M. T. Kachenovsky, Zhukovsky’s comrade in publishing the magazine, guided by the raznochintsy model of “writer-worker”. V. V. Izmailov (the editor of Vestnik Evropy in 1814) in 1815 created a magazine called Russian Museum, where V. A. Zhukovsky’s autorepresentative model was adapted to the Karamzin context and transformed. The “small circle” of souls turned into a circle of selected talents, and the hostile force of fate – into the envy of their literary opponents. The most fruitful for the Karamzinist reception was Zhukovsky’s role of “Russian Tyrtaeus”. Conclusion. Thus, the ensemble unity of the journals Vestnik Evropy and Rossiiski Muzeum may be considered as a space where Zhukovsky’s literary reputation was formed in a complex interaction of interpretations.

KW - Literary Reputation

KW - M. T. Kachenovsky

KW - Rossiiski Muzeum

KW - V. A. Zhukovsky

KW - V. V. Izmailov

KW - Vestnik Evropy

KW - В.А. ЖУКОВСКИЙ

KW - М.Т. КАЧЕНОВСКИЙ

KW - В.В. ИЗМАЙЛОВ

KW - "ВЕСТНИК ЕВРОПЫ"

KW - "РОССИЙСКИЙ МУЗЕУМ"

KW - ЛИТЕРАТУРНАЯ РЕПУТАЦИЯ

UR - https://www.mendeley.com/catalogue/8cdeff5c-f556-384e-af23-2419d5a98ac0/

UR - https://www.scopus.com/record/display.uri?eid=2-s2.0-86000737607&origin=inward&txGid=3436c7c2eba70554409c5f9381d60ec5

UR - https://www.elibrary.ru/item.asp?id=80369848

U2 - 10.25205/1818-7919-2025-24-2-89-100

DO - 10.25205/1818-7919-2025-24-2-89-100

M3 - статья

VL - 24

SP - 89

EP - 100

JO - Вестник Новосибирского государственного университета. Серия: История, филология

JF - Вестник Новосибирского государственного университета. Серия: История, филология

SN - 1818-7919

IS - 2

ER -