Petroglyphs of Zanskar, India : Findings of the 2016 Season. / Polosmak, N. V.; Shah, M. A.; Kundo, L. P.
In: Archaeology, Ethnology and Anthropology of Eurasia, Vol. 46, No. 2, 2018, p. 60-67.Research output: Contribution to journal › Article › peer-review
}
TY - JOUR
T1 - Petroglyphs of Zanskar, India
T2 - Findings of the 2016 Season
AU - Polosmak, N. V.
AU - Shah, M. A.
AU - Kundo, L. P.
PY - 2018
Y1 - 2018
N2 - This article introduces new petroglyphs found in 2016 by the Russian-Indian expedition in Zanskar, India. For the first time in this region, we discovered images unilaterally pecked out on small rectangular plates at abandoned Buddhist sanctuaries. Unlike tens of thousands of famous images from Ladakh and Zanskar, these are examples of mobile art, i.e., they could be moved from one place to another. They show scenes of fighting wild yaks, a hunter on horseback accompanied by a dog, and a Buddhist stupa. Especially interesting are several kindred scenes reproducing fights between male yaks, which occur in the fall, during the rut. Images realistically and accurately convey a tense atmosphere of rivalry The image of a horse is unusual. The animal is decorated with a breast tassel and a head plume or sheathed forelock, marking the horseman's high rank and setting the representation apart from other known images of horses in the petroglyphic art of Ladakh and Zanskar. Pry important is the archaic type of stupa, before which the yaks are, fighting. It provides one of the clues for dating the whole composition, since such types of stupas were built from the 1st century BC onwards. It is proposed that the newly found petroglyphs represent a hitherto unknown tradition of using small specially prepared stone plates.
AB - This article introduces new petroglyphs found in 2016 by the Russian-Indian expedition in Zanskar, India. For the first time in this region, we discovered images unilaterally pecked out on small rectangular plates at abandoned Buddhist sanctuaries. Unlike tens of thousands of famous images from Ladakh and Zanskar, these are examples of mobile art, i.e., they could be moved from one place to another. They show scenes of fighting wild yaks, a hunter on horseback accompanied by a dog, and a Buddhist stupa. Especially interesting are several kindred scenes reproducing fights between male yaks, which occur in the fall, during the rut. Images realistically and accurately convey a tense atmosphere of rivalry The image of a horse is unusual. The animal is decorated with a breast tassel and a head plume or sheathed forelock, marking the horseman's high rank and setting the representation apart from other known images of horses in the petroglyphic art of Ladakh and Zanskar. Pry important is the archaic type of stupa, before which the yaks are, fighting. It provides one of the clues for dating the whole composition, since such types of stupas were built from the 1st century BC onwards. It is proposed that the newly found petroglyphs represent a hitherto unknown tradition of using small specially prepared stone plates.
KW - Zanskar
KW - Tibet
KW - petrogtyphs
KW - wild yaks
KW - horseman
KW - stupa
KW - ROCK ART
U2 - 10.17746/1563-0110.2018.46.2.060-067
DO - 10.17746/1563-0110.2018.46.2.060-067
M3 - Article
VL - 46
SP - 60
EP - 67
JO - Archaeology, Ethnology and Anthropology of Eurasia
JF - Archaeology, Ethnology and Anthropology of Eurasia
SN - 1563-0110
IS - 2
ER -
ID: 25385582